This Moog keyboard is a simple yet powerful monophonic synthesizer that's a bit of a throwback to the glory days of analog electronic music. What musicians care about most when it comes to synthesizers is sound quality, generally speaking. To the extreme left is a small (1.5x1in) but welcome LCD display that heads up the synth's Programming Section. The Moog Sub Phatty Analog Synthesizer is quite the unique instrument. The Moog Sub Phatty is a very enjoyable synth. Though it is a very small instrument, it is very easy and simple to play. Like the Voyager Old School, the Sub Phatty lacks a digital display and can only accommodate 16 onboard presets. The sounds are large and full, and the classic Moog filter makes the sounds come out in a creamy and smooth way. Topics Covered: 0:00 Intro 1:15 Duophony 2:10 Overview 4:25 Hidden params 7:10 The filter 10:20 Oscillators 14:45 Mixer 15:45 Envelopes 17:20 LFO Review: Moog Little Phatty Stage II. Even if unsettling, distorted tones aren't your bag, the Sub Phatty's true brief is to be all synths to all people. There's a lot more to Moog's Subsequent 25 than meets the eye... Back in November 2014, Gordon Reid reviewed the Moog Sub 37. It’s small in size, but does it ever pack a punch! It has various features and capabilities that you would not otherwise get on another synthesizer, and that makes it special. It promoted exploration and found a niche in almost every genre of popular music. It would have been nice, however, if Moog had used the flipside of the large annotated cardboard diagram of the Sub Phatty's front panel to replicate the Shift mode illustrations found in the Sub Phatty's manual. Moog Sub Phatty 25-Key Analog Synthesizer. Don't miss the latest deals, news, reviews, features and tutorials. Silver Laansalu (@LifeOfSLV, @JinjiTV, @Sijilver) Scammer Update. The Little Phatty is a powerful monophonic analog synth with 100 percent analog signal path manufactured by Moog Music from 2007 to 2013. Overall, I’d have to say that the style of the synthesizer is in my top 10, and quite frankly that’s mostly because of its size. "The Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate" Apart from the undeniably attractive price, the Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate. Review Synthesizers Moog Sub Phatty. Bath With its flagship Minimoog Voyagers still doing the business and two other Phattys in the series still available, you might not have expected another monophonic performance synth to be added to the line (a polyphonic keyboard is nowhere in sight). Although the Sub Phatty doesn't have a titling front panel like the Voyagers do, the default angle is extremely comfortable to work with and the entire unit carries on the solid, ergonomically pleasing Moog tradition. The original Minimoog Model D was a revolutionary instrument that put synthesis into the hands of generations of keyboard players. It still has some things, such as: 25 semi-weighted keys; 100% analog signal path, 31 knobs and 13 switches giving you direct and immediate control over the synth, 2 ultra-stable variable-wave shape oscillators, and a square-wave Sub Oscillator in mixer section. This is where this instrument really excels – in the sound department. I especially love the end plates and that curved back – cool, modern but retro all in one. To do this, you first press the Bank 4 and Activate Panel buttons simultaneously to enter Shift mode. WHY WE LOVE THE MOOG SUB PHATTY. Another not-to-be-missed technique is the ability to use either the Filter or Amplifier envelope to loop, creating the effect of an added multi-stage LFO for controlling the individual elements of those filters. Not that this is 1978 and there is a lot of competition in analog monosynths, still this is a great addition. These include Glide Type, Keyboard Transpose, Waveform Modulation Destination and Amplifier Envelope Gate, amongst many others. "The affordability and top-shelf build of the Sub Phatty make it hard not to be curious about this item". Hands down, when you put everything together and add it up (sound, features, feel, usability, flexibility, price) we can’t find another synth, especially an analog synth, that can touch it in this price range. It’s a must for bass-heads or people new to the analog synth world. Review: Moog Sub Phatty 25-Key Analog Synthesizer. Simply put, this outpaces the previous models by adding pre- and post-filter saturation to the mix. The console/panel was coming up at an angle that was too high for my preference. Here’s a look at the new Moog Sub Phatty, via Nick Batt at sonicstate.. Anytime Moog releases a new synth it's worth getting at least a little excited about. While busier than the Sub Phatty, the rest of the Sub 37 follows the Moog tradition of laying out its operational panel in a simple, logical fashion. The Sub Phatty is Moog’s new $1,100 analog synth, introduced at this year’s NAMM Show.It’s Moog’s most affordable keyboard synth, but manages to deliver much of the power of the Minimoog Voyager and some unique features of its own. Warm, rich sound. Moog Sub 37 vs de concurrentie. From the screenshots Moog supplied, however, it's sure to resemble the one bundled with the Moog Minitaur in terms of design and integration. The Sub Phatty is simply the best synth you can buy at the $1000 and below price range. In this in depth review, Sara Simms finds it great for both classic/retro and futuristic sounds. It's also less worrisome when you consider that these options will also be accessible via the Sub Phatty Editor, once released. June 14, 2018 By Bella Rise. The Sub Phatty is the latest edition to the Moog family of synthesizers, it introduces an uncompromising, brave new voice to the legendary brand. It does have some variety in terms of sound capabilities and functions, but I’d suggest you check out some, View synthesizerguide’s profile on Facebook, View synthesizeguide’s profile on Twitter, 5 Reasons Why You Should Get A Synthesizer Keyboard. The Moog Sub Phatty Analog synth is not as versatile as say a Yamaha Montage 8 when it comes to features unfortunately. With marketing showing wizened synthesists getting excited about the new circuitry, there clearly is something going on here. I thought this would be an issue with the Sub Phatty, but I was pleasantly surprised to find out that this was not the case in the slightest and for once, I enjoyed this style of synth. There was a problem. This synth is clearly about hands-on discovery, and the incomparable joy of building up your own patch from scratch. And that compressed form will also be a welcome thing in a small project studio where space is always a premium. It’s a subtractive synth with a familiar layout but there are several tweaks that Moog’s designers have added to give the synth more interest. I’ll tell you how this post is built. Then you have a video or two, purchase links and useful comments from other users and then you have one of the most useful parts; comparison tables with similar keyboards so you can compare. And that compressed form will also be a welcome thing in a small project studio where space is always a premium. Just 25 keys strong (semi-weighted but lacking aftertouch), the Sub Phatty's compact design might not be ideal for soloists of the Rick Wakeman ilk, but the reduced footprint is offset by an easily accessible switch that gives you an additional plus- or minus-two octaves of range to play with. Sounds simple, no? This makes travel and being mobile very easy, and that is one of the many strengths of the Moog Sub Phatty. To give you an idea of the finger gymnastics that are needed to move between these options, we'll take a look at something useful: switching the Sub Phatty's filter rolloff between the standard 4-pole/24dB-per-octave, and the 1-pole/6dB-per-octave, 2-pole/12dB-per-octave, and 3-pole/18dB-per-octave options. In this in depth review, Sara Simms finds it great for both classic/retro and futuristic sounds. In de jaren 70, bijvoorbeeld, bracht de Minimoog de Micromoog en de Multimoog voort. 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